visual artist
Rooted in a background in industrial screen printing and shaped by growing up on the urban edge of Dublin, my practice explores how landscapes, both physical and social, are transformed by labour, class, and technological change. Early experiences of industrial decline and economic precarity continue to inform my interest in how invisible infrastructures, such as digital networks and energy systems, intersect with lived experience and place.

Working across moving image, installation, performance, sound, and print, I explore cycles of collapse, regeneration, and memory. My work often engages with the politics of space, from the environmental afterlives of industry to the layered narratives of working-class communities and contested geographies. I use both analog and digital processes to reimagine archival materials, oral histories, and ecological remnants as active components in contemporary storytelling.

I’m particularly interested in the tension between permanence and impermanence, how systems, like data centres or screen prints, are built to endure yet remain vulnerable to erosion, forgetting, and renewal. Much of my recent work draws on collaborative, site-responsive approaches to examine the shifting boundaries between nature and technology, production and obsolescence, visibility and erasure.